MacLean Gander, My Father at 92

My Father at 92

There is so much you don’t know about
After being dead for fifteen years.

This virus is terrible—it has deranged the world.
We won’t know for a while how that will work out.

The civil rights thing is interesting now—
Overt racism is as bad as it has ever been,

But some of it gets videotaped
And some bad cops have been convicted.

You’ve been dead so long you don’t even know
That the wars that started when you first got sick

Went on for years after your death.
We just left Afghanistan a few weeks ago—

It was was as bad as Saigon, 1975, maybe worse.
I’m glad you did not have to see that shit, it was bad.

And the whole climate change thing is crazy—
It’s real now and your grand-kids face it.

I’ll be dead, too, before things get truly bad.
I’m glad you do not have to know these things.

Tonight I feel your spirit in the wood
Of this house you built for your children.

It feels so good to me that you are innocent
Of any knowledge of what happened after you died.

If there is anything beyond history then now
You must inhabit that place,

And at least you are beyond pain.
Those last four years were rough.

There are things I would love to ask you,
And I would love to tell you about the life I have lived

Since you died—it has been hard and beautiful.
But I know you are beyond that now.

There was a fox in the meadow today,
And I have good wood—the fire is fierce

On the hearth you built. The house is warm,
And you look good for 92, your ashes rest

Where I can find them in Carpenter Cemetery,
And I always could talk to you.

Written by MacLean Gander © December 28, 2021

MacLean Gander grew up in Manhattan, where he attended the Collegiate School before studying at Harvard, where he received an A.B. in English and American Literature and Languages, cum laude. He was the Hoyt Fellow in creative writing at Boston University in 1981, where he took his Master’s in Creative Writing (Poetry).

In the 1980s he worked for several years as a researcher, writer, and reporter for Newsweek’s international edition in New York, and then spent two years in the Philippines covering the 1985 elections and 1986 “People’s Revolution” as a freelancer accredited to The Nation. After returning from Manila, he decided to relocate in Vermont and change his career path, taking a faculty position at Landmark College. In 1988, he was appointed English department chair, a position he held for nine years. In 1997 he was appointed Vice President of Academic Affairs and Dean of the College, a position he held for 11 years, a period of rapid growth and change for the college. During this time he earned an Ed.D. in Educational Leadership and Change from Fielding Graduate University. As Vice President for External Affairs and Strategic Planning from 2008 – 2009 he led and participated in the College’s consulting initiatives with the Kipp Charter Schools, The Prince Salman Center for Learning Disabilities Research in Riyadh, and with several other organizations and groups.

After returning to the faculty in 2009, MacLean held appointments in the writing department and then in the Core Education Program, teaching courses in composition, creative writing, journalism, and education. He currently holds an appointment in the Professional Studies program, where he teaches courses in journalism, leadership, and narrative nonfiction. He also donates his time as an investigative reporter for The Commons, Windham County’s nonprofit independent newsweekly, a role in which he is able to engage journalism and business students in internships and in doing reporting in real-world contexts. He lives in Brattleboro, Vermont, with his wife, the poet and artist Shanta Lee Gander.

Morphing Whimsy with Richard Gessner

Reading Richard Gessner’s book The Conduit and Other Visionary Tales of Morphing Whimsy was like drawing a tarot card out of a magical deck. Reading it triggered a rare recollection of sensations into a neural pattern of synesthesia. These infrequent and unusual bits of writing guides the reader into a dream time, a metamorphosis that operates in harmony while under the influence of an autoscopic hallucination. An illusion of observing selves. There is a hypnagogic arrangement that dissolves once you fully notice your in a dream but with Gessner’s work the afterimage stays for a long visit. It doesn’t evaporate. I enjoy the metaphorical compounds in Gessner’s visual work, it’s an erotic and tantric iconography. Gessner builds a unique mythology. His graphic representation of aquatic fantasies are arranged in the formula of deep unexposed thought waves, waves we glide on in abbreviated gestures.

Richard Gessner is a Left-handed, self taught Visionary writer and artist. In the visual work he often packs dense interconnected imagery into tight spaces.

“I am a left-handed, self taught Artist. I pack dense, interconnected imagery into small spaces. I have an ongoing epic series of the Surf Goddess and the Strongmann that evokes a timeless world of iconic Man & Woman acting out romantic flirtatious dances with the mercurial forces of nature.”

Surf Goddesses, Strongmenn, Sirens, Vixens and other Burlesqueness

The Strongmann is semiaquatic, cerulean blue, with flipper feet and king crab like arms and hands, expressing the raw forces of the instinctual Freudian Id. He shifts from heroic to rapacious, from crude to chivalrous in a moment’s notice. Sometimes he’s an alpha at the top of the food chain, only to be usurped by rubber ducks or Sirens he romantically courts in the waves of an endless sea.

Octo-Telson Horseplay Crab GoGo Round 18inX24in mixed media

Horseshoe Crab Telson Quintuplets

The Matadors Reprieve 18in X 24in water color color pencil pilot pen.

Table Etiquette

4 a.m. Drawings

Female Nudes

The Fool

A fool, fat sluggish and smug, was turned into a bowling ball by a gang of husky drooling village idiots.

With pontifical glee, the fool had waddled onto the idiots’ grassy flatland turf, making the fateful mistake of underestimating their strength and ability.

The fool felt superior to the idiots, and feared not the clumsy thrusts of their silly toy swords slicing off his blubbery arms and legs becoming an instant set of bowling pins…

Read more from the online journal of arts and letters Sein und Werden

Gessner’s speculative fantasy fiction has been published in literary magazines since the 1980’s. He clarifies his drawings and paintings do not illustrate his stories.

The Conduit and Other Visionary Tales of Morphing Whimsy Paperback

The Conduit and Other Visionary Tales of Morphing Whimsy Audible

Space Cat

we Interrupt the regularly scheduled program
to bring you this important message
this wireless emergency alert has scanned and detected globular lightning behaving like intelligent light
expect winds to reach the speed of a dream
prepare for half past tension to relief
watch the clock turn into a ball
all conspiracy and plans swept clear
empty and full
total memory forgiven
expanding free as time overflows
following through cells and selves
without a body
to this star door
that small bond of love I forgot
the cat did not forget about me

written by Mitchell Pluto© December 11, 2021

Space Cat

we Interrupt the regularly scheduled program
to bring you this important message
this wireless emergency alert has scanned and detected globular lightning behaving like intelligent light
expect winds to reach the speed of a dream
prepare for half past tension to relief
watch the clock turn into a ball
all conspiracy and plans swept clear
empty and full
total memory forgiven
expanding free as time over flows
following through cells and selves
without a body
to this star door
that small bond of love I forgot
the cat did not forget about me

written by Mitchell Pluto© December 11, 2021

Beyond the Bone


it is a super kind of role
rotating archetypes
where
number equals avatar
all four won once
if you want to get elemental
around the table
occurring at intervals
periodically
snap shot to
photogrammetry
a kinetic map
perception transfer
interface fidelity
contemplation points
an evidence board
but folded into
an icosahedron
edges linked by fiber optics
on invisible lines
as best they could trace
those
dice face are channels
those
dice face are mirrors
refraction may be
tubes of light
or if you prefer day stream
an almost calendar
in one lapidary being
an extraterrestrial of triangles
predeterminer and all
lets play
rotated and rolled
hyperstition is now
but also then
all ways
crossroads
a mobile hot spot
every time
is space
echolocation
our deep unknown ability
leads to where
wear leads
to dissolve dice
and sincerely know
the icosahedron remains spinning
all over time
an everlasting pattern
a rapidly occurring gem
from
the house of invention

written by Mitchell Pluto© December 11, 2021

WHILE, before the end of Aquarius. Poem and Vision by Enrique de Santiago

Mitchell Pluto's avatarSULFUR EDITIONS

“Intersections of a heavenly encounter”, 60 x 40 cm. acrylic and ink on Fabriano 400 gms paper

WHILE

Before the end of Aquarius

the pale shell will come off

Of the petty masts that hold me persistently

to the acid days that I have left and that push me to leave

meanwhile the tears of a burning salamander fall

as the universe cools

while the creator’s belly accelerates

while the verb contracts

to give birth to the next big bang

that brings its reincarnated flame

in a kind of divine reset to understand us better

since in this past centuries it only brought us a great question

that spits out my insignificant and forgotten life

towards another portal that returns me

To embrace the warm name of our unfinished love.

But between the hollow that leaves the universe without answers

nest the bonds of the flesh that impede the…

View original post 315 more words

convolutional echolocation

artificial neural network
neurons are aggregated
image input
visual cortex
layers and magic squares
number and color spaces
red, green, blue
processing example
image recognition
labeled
a set of facts
filters removing waves from particles
about that world, who was thinking the who
useful information
an algorithm
binary classifier
animal, non animal
vector of numbers on a clock
adapt parameters
template of being two points in time
self-driving car
spatiotemporal
the finding and collecting self

written by Mitchell Pluto December 2, 2021 ©


Interior Psychic Meteorology

my non representational paintings are automatic impressions from my subconscious. a sort of interior psychic meteorology.

Venus sextile Jupiter

I work on them everyday. there are no things, no pronouns, no gender, no politics, no beliefs, no morals. no 17th 18th, 19th or 20th century archetypes, no mystical ideas, no ideas about beauty or ugliness, no appropriation, no opinions.

Internet Poltergeist

it’s just a lot of yes too energy, paint, color and texture. the theme is about finding nothing. the exercise is liberating-the painting can not develop into something. I only name them when I share them, which I have been reluctant and hesitant to do. they are not made to be understood.

Mysteries Vibrating Across Time Gerald Stone

Mitchell Pluto's avatarSULFUR EDITIONS

Gerald Stone’s roots flow from 1/2 Seminole and 1/8 Cherokee tribes: These worlds are, out of time, landscapes within landscapes, tribes, spirits, watchers, seekers, giants, red-haired women, murdered and missing, space stretched and bent, stories vibrating across time.

From a show at the Crocker Museum in Sacramento a write-up describes Gerald Stone as a “beloved local master artist”. Gerald himself just brushed off the accolades and calls his work “weird”. His stylized art, which he describes as a conversation between himself and his Creator, bridges traditional and contemporary styles and themes.

1947 Born in the far reaches of rural Oklahoma, Stone was a kid who liked to draw and has lived a life of peaks and valleys, always around the midline of art. Just 3 days before he was scheduled to enlist in the Army, headed most likely to Vietnam, he was accepted for a 2 year post graduated program…

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The Alpha-Fertility-Goddesses Richard Gessner

Mitchell Pluto's avatarSULFUR EDITIONS

Blue Birth Brunette March. Richard Gessner. color pencil. 9″ x 12″

An erotic sensuous moving festive carnival viewed microscopically, a Gessner painting succeeds if the viewer turns voluptuary, entranced by Alpha-Fertility-Goddesses asserting dominion in a world pulsating with intestinal flora fauna doodle drawings; mutating connective tissue linking larger forms throughout the painting.

Octo-Telson. Richard Gessner. 11″ x 17″ color pencil, pilot pen

A Gessner painting is both a spontaneous explosion of unified discordant imagery and a well planned composition. Playful and serious. Lusty and graceful. A rutting splendor with poise. A prankster-voyeur fingerprint. Hungry for tricks but satiated. Universal and timeless. Accessible but remote. A dance and a meditation. A party and a wound. Disciplined but irreverently free.

A serene balancing act between darkness and light. A macrocosm rife with the struggle of survival given levity…

View original post 66 more words