Ossification of the Moon Oracle

Ossification of the Seven Horn Oracle. 18inx24in recycled art work into collage. Based on Sefkhet-Abwy

written by Mitchell Pluto© February 28, 2021

Painting is a séance with one’s self, it’s a mediumship that dowses for pathways in the collective unconsciousness. All my writing is speculation, observational study and a visualization exercise in words.

Sefkhet-Abwy is Djehuty’s counterpart. Djehuty being commonly referred to by the Greek name Thoth, the ibis headed or beaker moon god. It is unclear how Sefkhet-Abwy fits in the triangularly with Ma’at, who is Djehuty’s actual wife but this is how it is recorded c. 3150 – c. 2613 BCE. Regardless both Djehuty and Sefkhet-Abwy were responsible for weight and measure. It is paramount to notice a woman as an accountant for the passing days. The proof being menstruation is based on a cycle.

Merkhet an astronomical timekeeping instrument

I found Sefkhet-Abwy was also called the Mistress of the House of Architects. This would be noteworthy to understand and explore metaphorically. Symbolically Sefkhet-Abwy’s use of a cord functioned umbilically to connect sacred alignments while surveying land. This cord was knotted to create a measuring rope used in the Stretching the Cord ceremony. Part of the ceremony was finding a square in space.

Stretching the Cord ceremony

There is so much to write about the meaning of the Stretching the Cord ceremony but I’ll reserve it. I recommend the reader look more into these things. The compass rose, geometry and even ornithomancy as flight patterns become more meaningful.

A Surveying Groma. A tool used to find a square in space

The name Sefkhet-Abwy which means either seven-horned or Safekh-Aubi she who wears horns, horns being plural without specific number. Relying on the reliefs, there are seven horns and a long horn creating eight. There is also an arch U-shaped indentation that encases the bone star design

The bovine horn (antler) theme and the bow can easily flow into the crescent moon symbol, both for agriculture and hunting purposes. There is also a leopard skin worn by Sefkhet-Abwy that represents the universal sky with the spots being points. If we travel 3,057 miles east from Egypt (on land) we can find the Hindu deity, Shiva who also has a moon crescent on his forehead and leopard skin. Shiva hangs out with cattle too

Star of Lakshmi and eight moon phases. The number Seven can escort us into all sorts of associative meanings. One being a version of the menorah whose limit at the time would stop at Saturn and the seven seas. Another being the period of seven days.

Maybe the gravity of the moon and earth help influence the framework of collagen and calcium phosphate. My impression of the horns led me to believe the ossification of cattle horns may have had some kind of relationship with the eight phases of the moon.

Hidden Folk and Special Effects of the Brain

written April 17th, 2017 © Mitchell Pluto

Master of Reflections From my series The Hidden Folk, 12inx15in mixed media. Investigates suggestibility and sympathetic magic.

The Master has a forehead of mirrors that captures the on looker. Whatever the master says changes the shape of the viewers reflection. The warden of petals regulates and enhances scent and can influence specific moods of an entire group. The Prophet of mu is the last representative of mu. a close encounter with the medium has made people become more conducive to psychic waves.

The Poet Guillaume Apollinaire described a hidden world as Surreal. Although Surrealism became popular in the 1920’s there has always been an omnipresent clue among all cultures of a hidden world. The Icelandic phrase, huldufólk is a substitution for a name what would otherwise disrupt the hidden world and cause an encounter with it. While most of us are usually not suggestively affected by taboos there is a unique percentage of people in Iceland who do believe the hidden world is possible.

This is not far from asking someone if they believe in people from another space.

The Surrealist’s methods of accessing the subconscious were not new. Many of the techniques of surrealism rely on animism, pareidolia and apophenia.

These three special effects of our consciousness influence our beliefs and attitudes subconsciously. Animism is our oldest built in belief system. Under the suggestibility of the animistic brain every person. place or thing has spirit. This would also include power and expression as an ability to change events in an environment. As simple as sanctifying a successful hunt/crop by painting a picture of the future in the present. As animism believes that everything is an agent of expression or spirit, pareidolina impacts how one perceives this channel.

There is a symbiotic relationship between the faerie realm and what we would consider inanimate or motionless objects. Like seeing a face in a tree. Apophenia impresses upon how we organize what we perceive during pareidolina. Where as an abnormal encounter with a face in the tree that could be nothing at all, apophenia insists, sometimes obsessively, that this experience, seeing a face in the tree, means something more than it does. Apophenia places most people at risk because it can be dogmatic and unquenchable under a false conclusion.