Tierra Profunda Rene Ortega

René Ortega utiliza fórmulas de liminalidad para iniciar al espectador a experimentar los misterios del inframundo. Hay una puerta de flores, una escalera de anillos a túneles, afinada con un aro de colores. Todo esto está aquí dentro de los secretos de nuestra tierra. En estos pasos buscamos un centro que ya es un estado completo, un lugar unido por los opuestos e igual a sí mismo. René agrega esquinas al círculo giratorio para crear una faceta para ver otros espacios y otros tiempos.

Mitchell Pluto

TIERRA PROFUNDA

Mi enfoque se enfatiza en la búsqueda de las respuestas transcendentales las problemáticas ecológicas y sociales de la humanidad que enfrentamos actualmente.

Con mis obras pretendo hacer conciencia para situar al ser humano como parte importante de la naturaleza es el volver encontrándose con muestro yo interno y nuestros sentidos que se encuentran en un estado dormido es el volver a mirar y observar como un niño para situarnos en las profundidades de los infinitos subsuelos y planos de tierra imaginaria de mundos micros organismos vivos subterráneos que se transmutan constantemente en máquinas orgánicas voladoras y así te llevo transportándote a mi imaginario poético donde danzan líneas interminables y planos de vida que se juntan y separan al mismo tiempo incansable búsqueda de lo desconocido como las estrellas y la naturaleza transmutando a infinitos planos profundo de colores y formas que voy realizando atreves de esta incansable y cambiante movimiento y sonido de la vida.

Escrito por ©René Ortega

Rene Fernando Ortega Villarroel

René Ortega, fue uno de los ganadores en la bienal internacional de arte contemporáneo 3 de octubre de 2022. René ha expuesto obra en Chile y Argentina. Está involucrado en muchos programas de arte cultural que se han relacionado con hospitales, niños y la enseñanza del arte profesionalmente. Su muestra más reciente fue Mental Labyrinths en la galería de arte del Centro Cultural Til Til el 18 de junio de 2022.

“Mi preocupación es la figura humana como sentimiento de estados primitivos e irracionales, cuyo punto principal son las cabezas, pensamiento universal de la creación del hombre y centro del universo. Todo ello condujo a una mutación del lenguaje plástico y pictórico”.

The Paleozoic Clock by Enrique de Santiago

Before to be

Before discriminating the grey hours of the clear

She lived the only and always ufana clarity of my imaginary friend

Time evaporated his muscles and nerves

To leave only impressions on the ether

Featured Image: The clock that survived the paleozoic, acrylic and ink on Fabriano paper 250 gm. 21 x 28 cm. Enrique de Santiago

The dream of the sphinx

Bounded by the breath of time

Rush me to the shore

from the young chimera.

Aurea X-ray, acrylic and ink on Fabriano paper, 21 x 28 cm. Enrique de Santiago

SUM OF OPPORTUNITIES

“If the doors of perception were cleansed, everything would appear to men as it really is: infinite. “

William Blake

And I saw the impossible behind the possible

clinging to its subalternative limit that varies by century

because it responds to the movement of utopian tides

as I look into your eyes from the night glass

there everything was infinite in a tear lodged in your pupil

where she calculated the proper time

to go out into the light of tornadoes

and to the thick porcelain of desire.

Lithic Dreams of an Amazed Void, ink on 300gm Canson paper. 21 x 28 cm.
Enrique de Santiago

Perpendicular Imagination That Peeks Out

after the divine muscle

that bare your pelagic fate

to the one who lies at the feet of his limestone slab.

With every sun 666 mistakes arise

in the belly of the lunar word.

Appearance, ink and piece of paper, on 300 gm Canson paper. 21 x 28 cm. Enrique de Santiago

From the clouds held for centuries

of the air that snakes the knot violates sense

and every dark way that embraces the sound of the world

the maze light line emerges

The Weight of Astral Utopia, acrylic and ink on Fabriano paper 250 gm. 29 x 21 cm. Enrique de Santiago

STARS TOPOGRAPHY

Only from the heart can you touch the sky. (Rumi)

So many times announced about my bone marrow

Bear Minor reduces his trades

while the diligent memory of your laughter

still loathing the twilight

and you will know by the occasional spurs

that had not taken my hands away from that oniric praise

and neither from the damp condition that bounced from his promised halo.

written and Illustrated by ©Enrique De Santiago

Enrique De Santiago. Poet, Artist and Philosopher

Madness in a Mad World By Wouter Kusters

Madness in a Mad World, or How to Stay Cool in a Warming World?

Draft version, November 6, 2020 Wouter Kusters, philosopher, writer and ‘expert by experience’

Introduction

“Just because you’re paranoid doesn’t mean they aren’t after you”, says Yossarian, the main character of the famous novel Catch-22 (Joseph Heller, 1961). This satirical, though tragical, famous sentence is uttered in World War II, during which Yossarian, serving in the U.S. army as a bombardier in Italy, is in the grip of fear. He thinks there are clear signs that they are after him – which they are.

In 1958 an important study by Klaus Conrad is published, Die beginnende Schizophrenie, in which the German psychiatrist describes in close detail the various phases of what he calls ‘beginning schizophrenia’, and what we today prefer to call the stages of a florid psychosis: from the delusional mood, to a revelatory phase, an interplay of delusions and hallucinations, ending in an ‘apocalyptic phase’. This study is of high value, being the first of its kind that takes such a close look at what is actually going on in the experience of a psychotic shift. And its special merit is that it is not a single case study, but examines a large group of psychotic persons, all of the same age, same gender, under similar circumstances.

During World War II Conrad was, like most of his colleagues at the time, a member of the Nazi doctor union, and he was in the situation to be at the spot where it all happened: studying German front soldiers going mad. But although the occurrence of high anxiety and violent ideation in Conrad’s set of cases is remarkable, these peculiar circumstances of his field research are rarely taken into account when further examining his analyses. Instead, the coded and uncoded outcries from hell have only been inscribed quasi-neutrally and then locked away into medical archives as symptoms of an illness, not as signs of more comprehensive social, not to say, existential circumstances. Indications of what was actually at stake can be read only between the lines, e.g. Conrad (1958, 47): “In 1943 the boy again became seriously ill, was committed to a number of mental hospitals, and was finally a victim of the euthanasia movement.”

What will be the fate of the voices and lives of young people today, confronted with the prospects and facts of ecological destruction and climate catastrophes? How will psychiatrists describe their cases? How can it be avoided that their voices become neutralized, psychologized, stigmatized, and be silenced by the powers that be?

In this short paper I will sketch the psychodynamics of becoming aware of the looming climate catastrophes as a wakening process, analogous to individual psychotic processes. I assume that a psychosis can be considered as a perhaps impractical, but nevertheless meaningful answer to an existential crisis (cf. Kusters, 2020). I will draw these parallels under four psychosis related headings; intrusive messages, perplexity; trauma and mourning, and recovery – if any.

Intrusive messages

Let’s start with some facts. Global mean temperature will rise between 1.5 to 5 degrees Celsius this century. This leads to longer, more intense and frequent heatwaves, and unpredictable and heavier rainfall and thunderstorms. Oceans are becoming warmer and more acidic. The permafrost, the polar ice caps and the major glaciers are melting. Sea levels are rising, and cities like Dhaka, Jakarta, Lagos, Shanghai, London and New York are threatened. Large stretches of land will become uninhabitable, because of the heat, the droughts, the lack of food and drinking water, which will probably lead to catastrophes like mass famines, mass migrations and war.

The facts and predictions are well-known, but what do they imply for our sanity and insanities, how do these facts influence our spiritual, mental and physical well-being? How can we stay calm and sane in this madness of world catastrophes?

Let’s take a look first at the individual level of a person with the first signs of a looming psychosis. At this stage things that used to be taken as normal at face value by that individual, now appear in a different light. The world has become a strange place to live, and daily routines and habits make place for an uncanny sphere of wonder, puzzlement, awe and anxiety. When this pre-psychotic onset develops you start to receive signs and messages through various media about a suggested secret, an idea, a vague plan or even conspiracy that lies at the heart of this strange world. Slowly you detect that everything is connected, and that the vague allusions and signs should be interpreted as indicating that everything evolves towards some kind of deeper cosmic change, towards a kind of revelation or apocalypse (see Kusters, 2020).

Examining individual psychosis, it is often assumed that these vague feelings and ponderings about meanings, mysteries and signs of revelations and catastrophes, only belong to an individual disturbed subjective reality, not matching objective reality. But when we examine the analogous path on the macro-level of the climate crisis, things turn out different. The intrusive signs and messages that we receive concerning the climate crisis, are from reliable sources in shared reality, and most messages refer eventually to our common practices of scientific research, with evidence-based and statistically proven hypotheses and facts. These signs and messages reach us through the internet and other mass media, and when we get in their spell, we find apocalyptic signs everywhere: in the air, in the water, in the subnarratives and hidden assumptions of numerous conversations today; in the background whisperings of the natural environment that is dying, and last but not least in the cries of anger and despair of especially the younger generations who take head to the streets.

Recently the signs and messages from the climate crisis found their expression on the human face of one of those youngsters. It was the at that time 15-years old Greta Thunberg, who had gone through a so-called episode of depression, anxiety, and autism. Her ponderings and utterances have been spared from the medical archives so far, and she has become the intrusive face of climate madness, of despair, shock and truth and at the same time the face of stubborn consciousness and action.

Perplexity: shock and truth

When further stretching the comparison between psychosis with climate crisis awareness, we see that just as individual pre-psychotic experiences may develop into a full-blown florid psychosis, all the climate signs and messages may also turn into feelings of general climate alarm, panic, anxiety, confusion, not to say, madness. But in contrast, while most people think that a florid psychosis is to be avoided at all costs, many of us think that these feelings of climate alarm and climate panic need first to be promoted, ‘lived through’, and to be processed in order to start to act authentically and to be able to live in truth. Or, as Greta Thurnberg put it in her Davos speech (2019):

“I don’t want your hope. I don’t want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act. I want you to act as you would in a crisis. I want you to act as if our house is on fire. Because it is.”

So when being overwhelmed by the messages of doom, you may enter this phase of shock and truth. The better-informed psychopathologists (see Sass, 1992, Podvoll, 1990), and many of the experts by experience, know that on the psychotic path there is this sublime and terrifying moment of shock and truth, which might be a source of inspiration and wonder, but often also of awe, anxiety and confusion (see Kusters, 2020). At that moment the psychotic person is confronted with the truth of the depth of the abyss, or the unground of her existence; she is in radical doubt about everything in time and space, in history and geography, and she experiences, as the DSM calls it, perplexity at the height of the psychotic episode.

On the macro-level of the climate catastrophe it is not seldom found that people also mention a moment or a short period in time in which the truth about climate change really shocks them into perplexity. They become deeply confused and their whole world view tumbles down and turns around. As an example, some quotes from Mary Annaïse Heglar, communications professional in New York at the Natural Resources Defense Council (2018):

“…there was a moment when we had to face the reality of climate change. For most of us, I bet that moment hurt. I know it did for me… I skipped denial and went right to shock. I floated around on a dark, dark cloud. I frequently and randomly burst into tears… Where other people saw bustling crowds of people, I saw death and destruction. Even as I walked on dry land, I saw floods. I imagined wild animals, especially snakes, getting out of the zoos in the aftermath of natural disasters.”

Trauma and mourning

It may be quite a shock to find out that because of climate disruption all received wisdom, all earlier ideas about sense and meaning, and our place in history are no longer relevant. The truth of the climate crisis may well be followed by a so-called climate trauma. The Australian philosopher, Clive Hamilton (2014) said:

“Insight into climate change is not only achieved by knowing the numbers. There is also a profound feeling that you only experience when the facts touch you fully. Some call this the Oh shit, we are really in trouble moment. One achieves it by reading a scientific article, others because they, already familiar with the facts, undergo a profound experience in nature. Or they discover in another crushing way that their vision of the world is destroyed. Such an experience is inevitably traumatic and if you have not experienced it, you will not understand the problem either, because it is immensely large and transforming. The insight gained changes your mood, it fills your mind, it changes the wallpaper of your life. ”

Hamilton loosely introduces here the term trauma in the context of climate change, but how does this traumatic experience relate to other more usual individual traumas? The climate trauma first of all differs in the fact that the trauma inducing events lie in the future and have not yet become fully present reality. Normal traumas have their origin in events in the past, which slowly sinks further and further away into history. This slow distancing provides the possibilities in time and space for absorbing and processing the trauma. In the case of the climate trauma, however, the more time passes, the more serious and real the traumatic events become. We could say that while past traumas originate in the real, they develop and spread through the imaginary level, and become eventually part of the symbolic. This future climate trauma starts on the symbolic – theoretical and informative – level, develops into the imaginary, and ends into the real of a catastrophe sooner or later. Secondly, in the case of the climate trauma we know beforehand about the traumatic events and their possible consequences. In contrast with the usual traumas, we cannot say that we did not see it coming. Bruno Latour, the famous French philosopher remarks about this situation (2017: 25): “People have opened their eyes, they have seen, they have known, and they have forged straight ahead with their eyes shut tight.”

But how then could we live truthfully with these prospects, and deal with climate trauma? Just as with other traumas, the first thing to do is to acknowledge the truth, to be conscious about what exactly happened, or in this case, what will exactly happen. We should know and examine the truth, not hide ourselves from it, nor deny it, downplay it, or run away from it. Because, there is no time or place on earth to hide from the truth of climate catastrophes. The second step in trauma processing is to work through all the various emotional reactions that the climate truth invokes. Some of these emotions, like anger, grief and concern can be further processed in acting out, living more environmentally aware, and in connecting and sharing climate worries with others.

However, many of the emotions around the climate crisis do not so straightforwardly lead to new satisfying, positive practices. Many people have become cynical, apathetic, aggressive or deeply melancholic, despairing and inconsolable. They do not so easily connect to the mores and habits of the environmental movement, where the unwritten rules of conduct are all too often that you should hold up hope, and remain positive. For these negative traumatic feelings, there has been some attention among psychoanalysts and psychotherapists. Perhaps best known in this field of ecological psychology is Renee Lertzman, who says (2015: xiii): “The grief, mourning, anger, confusion and overwhelm that can accompany awareness of environmental issues remain largely unaddressed, private and professionally and socially taboo.” She then argues for a more compassionate and therapeutic approach towards those who suffer from environmental degradation, and who cannot or do not express their capacity for care in a positive way. She stresses the need to explore how and in what way individuals lost their relations to the natural environment, and the need to share and mourn about what we have lost already, and what we will further lose in the future.

Such approaches by psychiatrists and psychoanalysts could be helpful in guiding people through our bitter times. However, all too often it is assumed that climate anxieties and grief can in principle be taken away from the individual, be dealt with, without essential changes to our common ways of being, to our subjectivities, identities and ways of life. These essential changes – these miracles – did however not yet occur. And therefore, the experiences and fate of many is like that of Eric Holthaus, a meteorologist, who has been seriously affected by everything he has learned about the climate future. He writes: “I lose sleep over climate change almost every single night. I can’t remember how long this has been happening, but it’s been quite a while, and it’s only getting worse. I confess: I need help.” Holthaus went to see a counselor and, as he put it, the therapist “seemed unprepared for my emotional crisis. His simple advice was only, ‘do what you can.’”

The future, without miracles, is expected to be very bleak, and in terms of turmoil, world destruction, starvation, death and madness it looks too extreme and shocking to be manageable by therapies that focus on individual adaptation. ‘Do what you can’ is not enough to save us from despair. But then, how to deal with deep grief, anxiety and confusion, when mourning is no longer enough?

Schizo Recovery – if any

Sarah Myhre, an oceanologist and climate scientist, founder of the Rowan Institute, https://www.rowaninstitute.org/ says (2019): “I experience a profound level of grief on a daily basis because of the scale of the crisis that is coming, and I feel I’m doing all I can but it’s not enough. I don’t have clinical depression. I have anxiety exacerbated by the constant background of doom and gloom of science. It’s not stopping me from doing my work, but it’s an impediment. It is like I’m looking at the world through a looking glass, like I’ve fallen down a rabbit hole. I feel like I’m walking around in an isolation chamber.”

This is not the place, nor is it my expertise, to come up with a solution that liberates the world from climate catastrophes. Instead, I will sketch roughly some ways-out, and ways-through found on the individual paths of psychosis, that may be of interest for those who suffer from feelings of world catastrophe. Perhaps we can learn from them, from us, who have gone through similar states of minds, through unspeakable fears of world destruction, along experiences of apocalypse, loss of trust in the world, fragmentations and revelations. Because in that frightening state of chaos, also uncanny new connections and new realities are explored. In a similar vein, Kylie Harris, psychologist, writer and activist, says: “Individuals healing their own personal trauma or crisis can become part of a larger movement geared towards healing the entire planet. Importantly, we propose that the emergency mode offers an empowering psychological state for individuals to navigate experiences of crisis. Rather than a state that exacerbates negative emotions such as fear, anxiety, panic, or paranoia, it is a state that can facilitate enhanced awareness and collective transformative action.” When examining these states, this ‘emergency mode’, as Harris calls it, what kind of help can experts by experience, with their real experiences with rabbit holes and isolation chambers, offer to people like Sarah Myhre – and by implication, to the whole world? A few suggestions are as follows.

Those who have been there before, have easier access to other ways of connecting with time and history, and therefore, with the future. In our normal non-psychotic lives before our climate awakenings we navigated on a kind of hidden clock and common calendar in which this morning is nearer to us than last week, and last year nearer than thousand years ago. But under climate change as well as in psychotic life temporal experience is different. Our time frames of our past and of human history explode into vast geological and cosmic times. The events of these decades of climate disruption resonate with those of 65 million years ago, when the dinosaurs became extinct. The pace of human history fuses and is confused with that of natural history, and our minds lose themselves and fall back in the unthinkable fantasms and realities of dark time-spaces of the deep past.

Paradoxically, at the same time, we get out of our minds, seduced, inspired and fascinated by the fact that in exactly our life time, in exactly these decades, these years, these very months, weeks, days, and right now, humanity is on a cosmic time peak level. We may ruminate and phantasize over the graphs of rising carbon levels, that had been constant for millions of years, suddenly, exactly in this last decade, out of all times, shoot into the sky. We celebrate the intensity of these very moments that everything is being concentrated into our minds, the whole cosmos, the living natural species and the dead ones, into our knowledge, and from this intensity we may shift and drift away from all normalcy into the wild life and death. Every minor individual act in our age of disruptive climate change reaches out to cosmic times, to the creation and destruction of world, species, forces of ice, air and water.

My first suggestion then would be to develop a different stance towards time. Instead of using clock and calendar time as a means of knowing objective reality, and become paralysed by the seemingly determinate future, we ‘d better use dreaming time and imaginative time frames as ways of modulating time and reality experience in the present.

In our times we ourselves have become so powerful that we are able to influence, modify and destroy much of the ecological fine-balanced tissue on earth. We are powerful, we have knowledge, and this same power has grown so strong, that it undermines itself, and threatens its own ground of existence. This resonates with the paradoxical schizo-mix of megalomania and paranoia, in which we feel ourselves as master of our minds, that stretch out over all universe, and at the same time as being delivered to that same universe that overwhelms us. My second suggestion is then to learn from the seemingly deviant schizo ways of dealing with the paradoxes of feeling infinitisemally small and infinitely large at the same time, now that we live in a time where these paradoxes have become more evident and thrown in our faces in the real of the non-schizo experience as well. The climate crisis induces arousal, feelings of urgency, of high importance about everything that happens. It leads to a kind of strong moralization of everyday life. Every small decision has an influence on the whole, and we, schizos and non-schizos now live in a time that every minor act spreads through all networks on all levels at once, and then turns back to itself. Everything is connected, and everything is processed and counted in terms of its effects on the whole. The totality of networks acts as a new ‘superorganism’ of which we are all part. It is as if an imaginary Eye and Mind of Nature is watching us, and through the lens of which we also watch ourselves. Such vaguely abstract loops, such suspicions of agencies, and immediate paradoxical connections between yourself and the Whole, are the playground and the unbearable bottom of reality that are roamed on in schizo experience. My third suggestion is to learn from schizo experience how nonhuman forces and other ways of life are experienced, are absorbed into of schizo narratives and new kinds of ethics, in order to enlarge our sensories to reconnect with the desperate voices of Nature.

In conclusion, perhaps it is time to learn from the wisdom of how to navigate in these unknown territories from those who are experts by experience. And perhaps at least a tiny part of future solutions may lie in acting against the madness of the world, by learning from the mad – and keeping in mind what a modern Yossarian would say: “Just because you’re psychotic, doesn’t mean that world catastrophe is not happening.”

Literature

Conrad, Klaus. 1958. Die beginnende Schizophrenie: Versuch einer Gestaltanalyse des Wahns. Stuttgart: Thieme Verlag.

Hamilton, Clive (2014). It is already too late. Interview in Vrij Nederland, https://www.vn.nl/klimaatexpert-clive-hamilton-het-is-al-te-laat/

Harris, Kylie (2020). The Rebirth of People and Planet in a Time of Global Emergency. An Open Letter from the Spiritual Emergence(y) Community. https://medium.com/illumination/the-rebirth-of-people-and-planet-in-a-time-of-global-emergency-ce83d222c813

Heglar, Mary Annaïse, (2018). When Climate Change Broke My Heart and Forced Me to Grow Up, https://medium.com/@maryheglar/when-climate-change-broke-my-heart-and-forced-me-to-grow-up-dcffc8d763b8

Heller, Joseph, (1961). Catch-22. New York: Simon & Schuster. Holthaus, Eric, (2018).

Climate Change Blues. Sierra Magazine, https://www.sierraclub.org/sierra/2018-2-march-april/last-words/eric-holthaus-got-those-climate-change-blues

Kusters, W. (2020). A Philosophy of Madness. The Experience of Psychotic Thinking. Cambrigde (MA): MIT Press.

Latour, Bruno (2017 [2015]) Oog in oog met Gaia. Acht lezingen over het Nieuwe Klimaatregime. Translated from the French by Rokus Hofstede en Katrien Vandenberghe, Face a Gaïa. Huit conférences sur le Nouveau Régime Climatique. Amsterdam: Octavo.

Lertzman, Renee, (2015). Environmental Melancholia: Psychoanalytic dimensions of engagement. London: Routledge.

Myre, Sarah, (2019). It’s the End of the World as They Know It. The distinct burden of being a climate scientist. Mother Jones, https://www.motherjones.com/environment/2019/07/weight-of-the-world-climate-change-scientist-grief/

Podvoll, E. (1990). The Seduction of Madness: Revolutionary Insights into the World of Psychosis and a Compassionate Approach to Recovery at Home. New York: HarperCollins.

Sass, Louis (1992). Madness and Modernism: Insanity in the Light of Modern Art, Literature And Thought. New York: Basic Books.

Thurnberg, Greta (2019). Davos Speech. https://www.theguardian.com/environment/2019/jan/25/our-house-is-on-fire-greta-thunberg16-urges-leaders-to-act-on-climate

Shock Effects Book by Wouter Kusters

Wouter Kusters (1966) is a philosopher, linguist and writer. He wrote his dissertation in linguistics in 2003 on language change and societal change. In 2004 he published his first book on psychosis and philosophy, Pure Waanzin (Pure Madness). In this book Kusters connects lived experience of psychosis (his own autobiographical notes) to the so-called third person perspective of nurses, psychologists and psychiatrists. This book won the Van Helsdingen Award for the best work in the boundary domain of philosophy and psychiatry, and also the Socrates Award for the best book in philosophy in Dutch of the year. After a career switch to philosophy and writing, in 2007 Kusters published Alleen (Alone), together with co-author Sam Gerrits and artist Jannemiek Tukker in 2007, in which various stories are told about and from the isolation cell in a psychiatric hospital. In 2014 Kusters’ last and final work on madness and philosophy is published: Filosofie van de Waanzin. Fundamentele en grensoverschrijdende inzichten, in which Kusters present an all-ecompassing view on madness and philosophy. This work also receives the Socrates Award, and has been translated into English in 2020. Translations to Chinese and Arabic are expected in 2022 and 2023. Today Wouter Kusters is a self-employed writer, teacher, coach and editor, who often works on the limit area of philosophy and madness, and who has been extending his thoughts of expertise in madness and philosophy to more social and historical themes, that also concern madness on a super-personal level of analysis.

from Bio from Dr. Wouter Kusters Talk at https://suicide-and-its-prevention.eu/speakers/dr-wouter-kusters/

Publications and academic work

Kusters, W. (2021). Ontsnappen aan de verschrikking. Inleiding in het denken van Frederic Neyrat, [To Escape from he Fright. An introduction in the thinking of Frederic Neyrat]. Amsterdam: Lontano.

Kusters, W. (2020). A Philosophy of Madness. The Experience of Psychotic Thinking. Cambridge (MA): MIT Press.

Kusters, W. (2016). Philosophy and Madness. Radical Turns in the Natural Attitude to Life. Philosophy, Psychiatry & Psychology, 23: 2, pp. 129 – 146.

Kusters, W.(2004). Pure waanzin [Pure Madness].

Kusters, W. (2003). Linguistic Complexity: The Influence of Social Change on Verbal Inflection. PhD Dissertation. Utrecht: LOT Dissertation Series 77.

Feature photo Jonathan Bowers

ALL WRITING IN THIS POST IS A COPYRIGHT OF WOUTER KUSTERS. THIS AN AUTHORIZED DUPLICATION WITH PERMISSION AND EXPRESSED CONSENT

Mycelial Visions Enrique de Santiago

Mycelial Visions is a work that I have been maturing for months and that deals with the wonders and mysteries that the Fungi Kingdom contains, a name that is used to designate a group of eukaryotic organisms where fungi or mushrooms, molds and yeasts are found. This kingdom is one of the 5 great ones that make up others, such as animalia, plantae, protista or monera, having very own characteristics that distinguish it from these others due to its taxonomy and complex life cycles.


Specifically, the so-called mushrooms of the Psilocybe family caught my attention and their role as sacred psychotropics (hallucinogenic or neurotropic) in vast cultures, with records of this use, from the Paleolithic (Siberia, Sahara and Spain) to the present day. The power that these have to expand the mind and open unsuspected portals is well known, and that it has a certain analogy with what Eliphas Levi explained, regarding the 3 states to know the secrets of the universe, such as the embryonic state, dreams and delirium.


Thus, since the dawn of animism, these mushrooms have revealed, with the guidance of healers and shamans, that which is invisible and also ineffable, since those who experience these trips cannot express or relate what they have experienced on these trips to what is supposedly the depth of being and soul. These mushrooms usually occur in the dung of animals and it is plausible that prehistoric nomads followed herds not only for their meat but also to collect these mushrooms that were found growing in the feces of the herds. Among these mushrooms are the Psilocybe Mairei in North Africa, Psilocybe Cyanescens, present in Europe, America and Oceania, or Psilocybe Zapotecorum in Mesoamerica, to name three of the most recognized.


They are heterotrophic organisms, that is, they acquire their nutrients from abroad. Their form of reproduction is by spores and they have specific anatomical structures for their production, such as asci (contain ascospores) and basidia (with basidiospores). In fungi, reproduction can be asexual (without formation of a fruiting body) as well as sexual. Like the other kingdoms, they have different shapes, colors and sizes. Its habitat and location varies according to species, being able to grow in treetops or at the foot of it, as well as on rocks or soil, preferably where there is humidity and shade.

written by Enrique de Santiago. The art works are acrylic and ink on 300 gm Conqueror paper. Each painting and poem is a door.

FULLNESS
A secret freedom opens through a crack
that you can barely see.
Rumi
The morning and its ancient mystery
with his new cycle
embracing my vertebral calm
with dawn light steep in aerial stays
of a non-Euclidean flight
and its fertile messaging that awakens the annelids
to caress my future memory.

CONCILIATION
There are times when all the accumulated anxiety and effort
they rest in the infinite indolence and repose of nature.
Henry David Thoreau
I have heard the incessant whisper of the maitenes
and felt its impetuous root that sings its light music
mounted on the invisible verticality of design
that escapes geometrically
by the high pendulum cusp where I found the voice of the origin
so I became a body in the bark
adding myself to the essential channel that pulsates in the hollow
where the bird flies
with his outburst of winged love
that awakens the astral eyelid
and light the new dawn.

DOWN
From the labyrinth of white meats
where the filaments fractionate the divine eye
the wise thread emerges from the molten magma before time.

DREAMS
in the belly of the stone
the dragon’s breath is hidden
and in every cosmic cycle
stir your energy that moves
the suns and their destinies.
You’ll know when the word goes on
in that object that radiates silent voices
by a demiurge who lost
love in a vortex
in that surprising weather.

HUGGING THE BELLY
Diverse waters nest
in the hidden embryonic embraces
where the blade of time
pick up the promise
made to the stem
in that sacred way.
And I saw a new way
and their metals hugged tightly
the sign of the night
dropping urgent shadows
as field dams
one upright and down
in his immobility.

LIGHT
The universe came down to my domain
Opening the lights before precarious
those who entered
In the bones of my soul.
Light of the hidden.

SEEING EYE
the flesh of god
opened the sky
and my inner eye
saw the route of the serpents.

HEAVENLY LANDSCAPES
In the surroundings of the uranic gem
the voices of the magicians are raised
that bear ancestral flowers
to heal the wounds of oblivion.

REVELATION
There was his high imponderable crown
on the distinguished and lukewarm verticality of the mystery
without leaving a shadow in the mirror of the high magistracy
of the verb
pouring her violet love towards his moist horizon
and restlessly embracing your silhouette that I don’t know
That’s how I saw you behind the meanders of destiny
in the sudden revelation of the morning birds
Will you be the trail to be followed in unknown times?
perhaps I will drink of your honey under the sign of the equinox
coming
As soon as you feel your eyelids full of the light of your
redemption
and rest the incandescent pearl that comes down from the dew
this will be the floral beginning of the silent explosion
like the one that leaves the pollen in the aerial possibilities
while I await your coming.
Someday they’ll die out under the rust
the gears that bind us to reality.

DIRECTIONS
My constellations that guide me
pushing my mild matter
in this immense sum of fiery spheres
and finite
inside the womb of mystery
with its unsuspected breath of flowers
because as above so below
since nebulae have their own pistils
and here I am with my steps apprehended
waved and sacramented
right and wrong
taking up the path dictated by the stars
smiling under high serene clouds
looking for other paths
that will bring a new hand to dream.

only one Mycelial Visions was made

Enrique de Santiago

Patriarchal Decadence and Her by Enrique de Santiago

HER


And from beyond the intellect comes beautiful love trailing her skirts, with a glass of wine in her hand.
Rumi
From above with his selenite love
descends the brief nomenclature of desire
in her diamond lust
kissing in purple intervals the waves that announce your steps
with your coming laugh
to testify about the rain
and in the nyctalope depths
in its germinal dance
the final hour of your name.

Patriarchal Decadence


(or Brute A attacks Brute B)
Do you think that money will stop being fascinating?
and if one day it disappears
Do you think power will lose its appeal?
possessing is more addictive than loving
your missiles and two more
the poker of life
a “quijadaso”, ‘jaw bone’ well given in the skull for Abel
(although that fact marks the end of grazing and the beginning of agriculture)
that happens for misreading the allegories
and also wrongly see the universe
added to a dark and patriarchal church
I light candles for Ishtar instead
and I hear the voice of the earth
but…
Will there be anything left to restore the feminine?
End of statement, I’m going to the shelter.

Art and Poems Written by Enrique de Santiago ©

Enrique de Santiago, Born in Santiago, Chile (1961). Visual artist, poet, researcher, essayist, curator and cultural manager. He studied a Bachelor of Art at the University of Chile and at the Institute of Contemporary Art (Chile). Since 1984, he has exhibited in individual and group exhibitions, counting to his credit around more than 100 exhibitions.
He has edited five books: Fragile Transits Under the Spirals in 2012, with La Polla Literaria; Elegía a las Magas and the book essay: El Regreso de las Magas, both with Editorial Varonas. In 2018 he edited La Cúspide Uránica with editorial Xaleshem and Dharma Comunicaciones, and Travel Bitácora with Editorial Opalina Cartonera.
He has participated in various poetry anthologies, both in Chile and abroad. He has collaborated in the newspaper La Nación with articles on new media art, and in magazines such as Derrame, Escaner Cultural and Labios Menores in Chile, Brumes Blondes in Holland, Adamar from Spain, Punto Seguido from Colombia, Sonámbula from Mexico, Agulha de Brazil, Incomunidade de Portugal, Styxus de Rep. Czech, Canibaal de Valencia, Spain, Materika de Costa Rica and other printed and digital publications.

Path of Light, Shadow of a Circle. Visions and Poems by Enrique de Santiago

Art and Poems Written by Enrique de Santiago

The scientific world wonders where the boundary between matter and antimatter begins. That is, where does the surreal begin? For this we must know the secrets expressed in the Emerald Tablet, where the borders of the vibratory spaces are not represented, since they do not exist, since what is denser can become something less dense according to the laws of the variable flows of the vibratory fields. Therefore, everything is a continuum according to what modern physics has shown, a kind of manifested logos where the elusive can be a res perceived according to the capacity of the receiver.

Gears of a quantum ship, acrylic and ink on Fabriano paper, 21 x 28 cm


For the exponential curve of the logarithmic spiral to exist, there must be a logarithm that draws it, but also a mathematical equation that designs an enormous spatial support that contains it and allows it not to disintegrate as a design. We calculate what we see, but the invisible does not enter into that equation. This is how we neglect our astral bodies.

Spectacular blindness, collage s/paper, 30 x 20 cm

FAIR DAYS
In a cold and stony hole
a flower withers hopelessly
while the world rejoices
with the monk’s tricks

Perpendicular imagination looming
behind the divine muscle
that strips of its pelagic destiny
to the one that lies at the foot of its calcareous slab.
With each sun 666 errata arise
in the belly of the lunar word.

Emerged from nocturnal memory
a pristine song
embrace my origin
and illuminate my soul.

Mother earth seeks the perfume of redemption
while the man far in the abyss of him auscultates the night to gain objects
the emptiness of having
is named among the speechless faces
so then the alchemical weddings were prepared without any finding for your eyes
the leaves of the forest fall slowly
the roar of the terrestrial kiss reaches my ears
sound to be ocher dust in solar memory
end of times
and circular principle
the appointed mystery
while children are killed by hunger
to continue making “Barbies”

NUMBER LEVITATION


The ancient voice from the parting of the waters
what is above and what is below
like pale dawn of man
without the primordial exhalation
roam the surface
looking for a high dwelling
to detach from matter
the creative breath of the submerged forest under your name
with their ethereal offspring
like plumage swayed by the wind
in their forgotten northern voices
mother of desire
and of rebellion
clay healing tide
with sporadic winged notes
and tears of bears
that forget the wound in sleep.

my bone wish
penetrate the flesh of the shadows
For a right to endorphins for every citizen

Interdimensional ossuary, Ink on cut paper and acrylic on 300gm fabriano paper

Art and Poems Written by Enrique de Santiago ©

Enrique de Santiago, Born in Santiago, Chile (1961). Visual artist, poet, researcher, essayist, curator and cultural manager. He studied a Bachelor of Art at the University of Chile and at the Institute of Contemporary Art (Chile). Since 1984, he has exhibited in individual and group exhibitions, counting to his credit around more than 100 exhibitions.
He has edited five books: Fragile Transits Under the Spirals in 2012, with La Polla Literaria; Elegía a las Magas and the book essay: El Regreso de las Magas, both with Editorial Varonas. In 2018 he edited La Cúspide Uránica with editorial Xaleshem and Dharma Comunicaciones, and Travel Bitácora with Editorial Opalina Cartonera.
He has participated in various poetry anthologies, both in Chile and abroad. He has collaborated in the newspaper La Nación with articles on new media art, and in magazines such as Derrame, Escaner Cultural and Labios Menores in Chile, Brumes Blondes in Holland, Adamar from Spain, Punto Seguido from Colombia, Sonámbula from Mexico, Agulha de Brazil, Incomunidade de Portugal, Styxus de Rep. Czech, Canibaal de Valencia, Spain, Materika de Costa Rica and other printed and digital publications.