Skinwalker by Lauren Scharhag

Skinwalker

It’s not like in the werewolf movies
where I wake up naked in the forest,
not knowing how I got there or why
I have the taste of blood in my mouth.

It’s not like the stories where curses
make beasts of men. No, it’s more akin
to those Eurasian primordials of whose tree
I am but another branch, where turning men

into wolves was the rite of hunters and
warriors. No moon governs me, and I know
exactly what I am and where I’ve been. It’s in
my very name, by means of it, it goes on all fours.

Some say it started when the Spaniards came,
and if you don’t know the story of those years,
I probably don’t have to tell you the story
of those years, the age of ruthlessness and

conquerors. Sometimes, I think it must be because
for so long, we were nomads, and you don’t just
shrug off three millennia of wandering, trekking
across ice bridges and down the rugged coasts,

but only the Creator knows for sure, they
who conjured light from the east, and Earth
from a single yellow grain. Sometimes, I think
I was born to this, that I only unleashed what

was already there, my nature mutable as the
golden tortoise beetle, the snowshoe rabbit,
or certain tree frogs. Nothing in my cosmology
says I must forgive. There is only balance

and imbalance, and imbalance must be corrected.
The sort of trauma that washes down through
the generations, like litter in the stream of our DNA,
and it’s not as if the atrocities ever stop. I am

the endless Night Chant, waiting for the world to heal,
the tireless ceremonial dancer, the ultimate hand trembler,
for surely we must remove the source of the malady.
I take the darkness into myself, and when our enemies

tell us we are less than they, I am ready
to fling it back at them. I am ready to don
the forbidden animal skins, to sow terror and
harvest a crop of bones. You could see why

I would trade the Pollen Way for blood, why
I would call upon the powers of wing and
fang and claw, why I would become pitiless
as the hawk’s unblinking gaze. I pray you

never know the pain that drives someone
to become this, that you never have to pay
the price to become this, the agony of
transformation: my fingers, once so skilled

at weaving, hardening into talons, canines
overtaking my omnivorous mouth, forsaking
forever the taste of corn and beans, my feet
into paws, and then the aftermath of becoming,

in which I am no one, neither living nor dead,
perpetually half human, half creature, all monster,
the stench of mass graves and privation. Once you
start down this path, there can be no turning back.

And yes, I can be dog, coyote, wolf, bear, cougar,
owl and crow, but I would rather be the deadly
bacteria destroying you from within, the brain-eating
amoeba lurking in the water, the compulsion

that seizes people to pet a wild thing that could
maul or trample them. The medicine men try
to pray us away. Those who know of us do not
speak of us, for fear we will hear. Admittedly,

we are not hard to distract. There’s always some new
imbalance to chase down. Dip your bullets in ashes,
and if you know the Skinwalker’s human name,
then speak it, and they will be destroyed. If you know

my human name, then speak it, and I will take you
with me. Unlike you, I don’t fear the world’s end.
I know more are waiting if we could but rise
to meet them.

written by ©Lauren Scharhag

Lauren Scharhag (she/her) is an award-winning author of fiction and poetry, and a senior editor at Gleam. Her latest poetry collection, Midnight Glossolalia (with Scott Ferry and Lillian Necakov), is now available from Meat for Tea Press. She lives in Kansas City, MO. https://linktr.ee/laurenscharhag

Links to purchase the book:

Meat for Tea Press

https://meatfortea.com/chapbooks.htm

Midnight Glossolalia Paperback – February 11, 2023 by Lauren Scharhag (Author), Lillian Necakov (Author), Scott Ferry (Author)

Voyeur Rising by Richard Gessner

When I read Richard Gessner’s Voyeur Rising I imagined the story as an adult cartoon with liminal existential qualities. Voyeur Rising reminds me of Vladimir Nabokov’s use of an unreliable narrator who is found in most current social media video and reels. This collective trick usually deceives the viewer with a decoy. This is the place where Gessner’s work lurks, to induce the peripheral mind while feeding the predatory eye. Here we see the ultimate conflict and fantasy of the Freudian id haunting the masculine mind. A pleasure principle with an intrusive desire to poach voluptuous women without any commitment- but to squirt sperm, to clone more succulent women so they are everywhere. The fantasy has boundaries in Gessner’s character who is aware of his masculine delusion, that every women he find’s attractive isn’t a possession but an unfulfilled wish. All this takes place by the primordial ocean, a surface alive with waves.

-Mitchell Pluto

Strategically positioning his beach chair, pretending to be reading a daily newspaper, Joey Genauski, nonchalant, invisible, just by chance, settles in a tight rectangle of sand bordering the burgundy beach towels of two 19 year old college girls the age of his granddaughter.

The girls, an ash blonde, and a brunette with auburn highlights, have soft buttery skin, shapely, wide hipped—all curvaceous splendor—

Perfect brown bodies striped with pale tan lines sharply outlining pale pink asses and naturally large breasts jiggling slightly in the warm breeze of early summer.

The tan lines form a pale faded triangle V of panty line extending upwards. From butt crack to lower back, panty lines curving around thighs to below belly buttons—traces of cast of bikini no longer worn.

Gradations of pale pink skin merging to olive, cinnamon, golden brown, pale breasts encircled with D cup outlines of frilly brassieres. Burnt Sienna areoles and nipples a darker shade of brown than their overall tans.

Crisp yellow and gold designer bikinis, light summer dresses, brassieres. And panties are strewn across towels covered with tubes of sun screen, Purses, car keys, fruit, sandwiches cold drinks, a paperback of classic 19th century literature and a current glossy fashion magazine glistening in the sun.

Furtively, through dark sunglasses, Joey Genauski gazes longingly towards the girls’ spread open legs. Their Smoothly shaven vaginas, A reddish salmon pink, are soothed with cooling aloe vera. Blue and white beach umbrellas with a swordfish logo line the beach Landscape. Its a Saturday afternoon in early June, the weekend crowds work to Joey’s advantage, giving him an excuse to sit close to single women without being obvious about it. The crowds camouflaging his true intentions, allowing him to move frequently, unnoticed by the morally reproving beach patrol seeking to squelch his habit of constantly wandering the beach in quest of a perfect view.

Other voyeurs, Joey’s competition, watch the beach entrance from a distance, waiting for the arrival of young ladies, single or in groups. Approaching the ladies after they have gotten naked under their beach umbrellas.

Most women strip naked, but some keep their bikini bottoms on. Some wear Brazilian string bikinis, flesh toned thongs, almost nude, but not quite. Pale maidens wiggle out of floral print summer dresses, shorts, and candy striped one piece bathing suits.

Voluptuous brown girls peel off demure, white see-through-when-wet suits, revealing all to bulging male eyes, looking, gawking, looking away— Diaphanous mesh panties slide down svelte hips, falling to sand. Brightly colored, fancy brassieres pop off as delicate fingers reach behind unhooking clasps shining in the sun, catching the eye of a seagull flying in blue skies above.

Secret cameramen get up in the nooks and crannies of spread eagled women half asleep in the sun. Joey leaves the two girls, vanishing into thick masses of beach regulars, middle aged, tanned and leathery, marking their territory with windscreens, coolers and little plastic flags poked in the sand.

In Joey’s absence, competing beach voyeurs, some bold, well hung, smooth talkers, will succeed in engaging the ash blonde and brunette with auburn highlights in a lively conversation. Mastering bare body language a virile stud will advance to slow massage, rubbing baby oil of their perfect bodies glistening in the sun.

Slick voyeurs who remain at the top of the food chain will return to the beach, summer after summer, appearing like clockwork as in the legendary return of swallows to Mission San Juan Capistrano—

Their pick up routines with the ladies will remain similar and predictable year after year, decade after decade. Enticing the girls with superficial big talk of financial conquest, fancy cookies and little airplane bottles of alcohol.

In the tidal pools of voyeur nursery school, untested new generations of voyeurs emerge like baby sea turtle hatchlings making a mad dash seaward—

climbing the slippery slope of a succulent female ass just over the horizon,

Joey Genauski wanders into a gaggle of girls taking it all off for the first time-

In the distance, randy couples frolic in the surf, avoiding the June Jellyfish in the waves, out at sea, fishing boats come in close to shore, catching a panoramic eyeful of skin.

“Voyeur Rising” (C) 2022 Richard Gessner

Richard Gessner’s fiction has been published in Air Fish: an anthology of speculative work, Rampike, Ice River, Coe Review, Another Chicago Magazine, Happy, The Act, Sein und Werden, Skidrow Penthouse, The Pannus Index, Fiction International and many other magazines. A collection, Excerpts from the Diary of a Neanderthal Dilettante & The Man in the Couch was published by Bomb Shelter Props. Gessner’s drawings and paintings have appeared in Raw Vision, Courier News, Asbury Park Press, Rampike, Skidrow Penthouse, and exhibited at Pleiades Gallery, Hamilton Street Gallery, Cry Baby Gallery, The Court Gallery and the Donald B. Palmer Museum. Richard wrote The Conduit and Other Visionary Tales of Morphing Whimsy. He lives in Montclair, New Jersey.

The Conduit and Other Visionary Tales of Morphing Whimsy Audible

THIS WRITING IS AN AUTHORIZED DUPLICATION WITH PERMISSION AND EXPRESSED CONSENT

Four Poems by Heller Levinson

The light of old things, of beautiful old things, awoke in me.
                                                -- Sherwood 
Anderson
                                                                                                                                                                             

swathes wash-lift, titillative
	fibers twine through time,
		tangle through grasses, air,
			the storied
			the beheld

these old pliers, bruised, complacent,
loose, slackened by the exigencies
of labor, the perfume of application

seasoned armchair yellowing from
the fade of multitude, stuffed 
with the mnemonics of repose, the
armature of provision

spattering through the long cornfields sacred vessels
spring alive, drink the oil of the
corn, flutter to the western winds

things patinated,
	foamingricketyhistorical,

flux-chugging


Abyssal Eros

techy		telltale		totem
	odiferous refract
 calligraphic concert 

	a matter of teeth
upwards & out

doesn’t anyone say g l a d e anymore?

gloss the glimmer reef really
	hammockSplay		over-
tures daub mineral-rinse gyre
				cumulous curdle
					drift
						harmonies
formulate in flour
	acculturate spray

					love is pertinent to confusion
					meticulous punctuation is an expensive luxury

the floorboards rose,
		       then swallowed

written by ©Heller Levinson

Heller Levinson is the originator of Hinge Theory.  His most recent books are Dialogics (Anvil Tongue Press, 2022), Lure, and jus' sayn' (Black Widow Press, 2022). His Query Caboodle and Shift Gristle are scheduled for a Spring 2023 release (also BWP). He lives in the Hudson Valley, NY.

Featured Art Photo Grass Drawing for Sherwood Anderson by Linda Lynch