Manuel the Band

My mother has always told me “it started in the womb, ” so I think music has always been a sort of innate thing for me. My mom would play the piano and sing when she was pregnant and noticed that I would dance and smile to the same songs after I was born. So, I’ve been a musician literally even before I could remember! Which is a really cool thing to think about. Throughout elementary school, I took piano lessons and even joined a steel drum band when I was 12. I played with them until I was eighteen. Growing up in a small, New England town, playing steel drum music in the dead of winter was a superb treat- it’s so hard to be upset when that music is playing. Along the way, my mom would buy me those musician starter packs- the ones with a small amp, chord and stuff. At the time, they were like $100 and my mom would tell me to teach myself. So, I did. That’s how I learned guitar, bass, drums. You name it! I was very fortunate to be exposed to so much music early on in my life- there’s no doubt it impacted me becoming the musician I am.

What gives you inspiration?

I think this, like many things, ebbs and flows. I hate to sound so generic, but I like to write about real life. I’d say, the majority of my songs are about what was going on at the time. Lately, I’ve been on a writing kick that I call “millennial struggles” Ha! I’ve been writing about things like being able to pay rent, not understanding why career growth is so hard, questioning the realities of what my generation was told we could do. Needless to say, going to college doesn’t grant you that white picket fence and a comfortable salary like many said it would…and sometimes still do. So, lately, it’s been a lot of those kinds of talking points.

Which musicians have had the greatest influence on you?

Hmmm. I’ve always been a big John Mayer fan. Song writing wise, he has such a cool way to synthesize emotions and feelings into complex, elegant poetry. In Your Atmosphere, I think, is a beautiful example of that and I’ve always strived to have my “in your atmosphere” song. Still going for it. I grew up listening to a lot of folk, Joan Baez, Kingston Trio, Peter, Paul and Mary. So, I always feel at home with an acoustic guitar and people singing in harmonies. That’s just my roots.

What musical genre is closest to your heart?

I think folk, singer -song writer. In my opinion, it’s the most vulnerable. It’s usually lyric focused and I love listening to what people have to say. There’s something about hearing a song with simple chords, but with words that clearly mean so much to that person. That means the world.

Did you study music in school?

Not formally, no. I studied history and economic development. Spent a lot of time traveling around the other parts of the world conducting research on a variety of these types of topics. I feel very fortunate to have been able to write about subjects like poverty, development, immigration, ethnography, etc. But even though all of this…I’ve always managed to bring a guitar with me!

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Suite for Monk, a Triadic Played by Heller Levinson 

MONK-LIKE

			like

lunge clump      canopy canister		fraught ganglia, chop
butterudder						back
								forward
								this way
							that
twist turn				vertiginate
		swallow     swelter
claim cluster clank crank		rustle roundabout
                           c     l     a     m
	bustle break bother broke brother
	bother bustle break brother broke
                   			bristle
								breathe
								    bombin-
ate		fables of late		bludgeon bark   bake
		   sleight slumber swell
	B Flat		line periphery-burst		stride
intervallic surge			sully sulk  skulk
																				 atti-T!ude
feud fidelity
                    ferm             en
                   		  ta		tion
			  
  	in-
 			  	stall

				un-
				install

FRIDAY THE 13TH

Mitchell Pluto inspired this Hinge to the Monk tune “Friday The 13th” Mitchell writes: One of my favorite tunes is Friday The 13th by Monk and Rollins, at first it takes the listener on a slant- a sort of drunk crab walk, and then the block chords, for me create a square spiral.

WOR studios 1953   thelonious Monk/Sonny Rollins
sloop-de-sloop whirl wind full intake reed fill throat splash slippery slant
peek-a-boo inebriate	peregrinate		in-
cubate 	square spiral boulder-roll stroll crab colossal 	 hi-hat crisp
chink snap crystalclarioncrystalline 	bosomy broth ivories wrought bath breadload beatitude	concuss allude	wedge hook link	sinkseepagelodge	
								laurel sling
								carrion fletch
				b e t r o t h 
	clump stump flummery block lump here
	come de Monk	scruff scamper liv-
ery lurch	paint a birch		fu-
rl fistful conflagrate agitate French horn ― fog-caster, frog-hopper ― conflate titillate aerate levitate brindle lop Bird-bop
							chordal congregation
							hymnal meditation
				scintilla aubergine
whisk brisk bask peculiar challenge the ruler
adumbrate gestate
spray a mandate
, man



EPISTROPHY FOR T. MONK

       ganglion frieze chop
splash melodic purl surge
/under
flirt slash the line tease conflate
the outer reaches skim borders
peripheries riff the mad notes cyclones
flush curling cuniculi mucid caves jettison spills
of color mutation migration never before
heard harmonic swoops triads
scribbled above bison head rage of
memory snarled rhythms stored in stone
circling and twirling a 
gathering of data raptorial fingers toolbox
of the soul aerial lift and poise
& strafe the keys
prey for salvation litanous chariots
a last chance passage
bump into the final
four bar essence is exhaustion
of complexity buck to the
ride cymbal 
bow to the bass

Heller Levinson is the originator of Hinge Theory.  His most recent books are Dialogics (Anvil Tongue Press, 2022), Lure, and jus’ sayn’ (Black Widow Press, 2022). His Query Caboodle and Shift Gristle are scheduled for a Spring 2023 release (also BWP). He lives in the Hudson Valley, NY.

written by ©Heller Levinson