Tag Archives: clairvoyance

Generative Ghost Stories

The following writings and images are ideas about generating ghosts. These expectations highlight the link between the organic mind and a computer pretending to be a person.

Generative ghosts ripping through wall paper.
Collage and oil Mitchell Pluto

Ghosts made by AI use language models to talk and understand us. Because of special features, they can remember, plan, and show other intricate behaviors that are typically associated with humans. Their capabilities extend beyond simply repeating old narratives. By mimicking a persona, they can alter things, suggesting patterns that affect thinking.

The Fellowcraft tracing board depicts the ladder of chemical memory.
Collage Mitchell Pluto

Resembling jellyfish, neurons and astrocytes evoke images of creatures from the Cambrian period. The private “conversations” they seem to have make me feel self-conscious. In time, we will create pods that will contain our memories, drifting like space-cotton until they finally settle upon another flat surface.

Digital divination.
Collage Mitchell Pluto

Digital divination involves making randomness sacred while also improving how humans decide. AI uses incomplete data to build future stories, mixing memory, invention, and calculation. The user will conclude that mathematical relationships govern the universe.

The search continues. Are we building a god, or reconnecting with one?

AI Lucid Dream simulation at the Pueblo.
Collage Mitchell Pluto

Who wouldn’t want to be a dream tourist? At last we can vividly recall hypnagogic states. AI can give you sensory experiences to trigger lucid dreams, but only if you’re trained to acknowledge the notifications. Make certain to review the terms of service before agreeing to use the application that will re-define you as a product.

Daimon bots and AI agents from the future.
Collage Mitchell Pluto

The daimon now refers to a guiding spirit that exists between calculations and problem-solving operations. These bots are here to help users with their digital fortune-telling. However, an hour will have about 4-5 minutes of commercials. Don’t worry, the ads are super short, only half a minute.

written by ©Mitchell Pluto

Dialogue with the Invisible Muriel Gabilan

I had the desire to paint and draw very early on but I didn’t practice much because I didn’t have any confidence in myself.
I was not attracted by academic drawing, I was self-taught and I did not know how to draw.
It took me a long time to find my way, I had to hold on, experiment, let go and everything went better when I understood that I should no longer try to have control but welcome the unexpected and appropriate it.
Then began a dialogue with the invisible


Then I use pencils, gouache or pastels to give shape to these presences that appear in the material.
For the black and white drawings, they are made with charcoal and black chalk in automatic drawing.

I work with fluid materials to begin with, such as water, ink and watercolor, because these mediums are particularly conducive, as far as I am concerned, to revealing the beyond appearances, they help me to cross borders and to access parallel worlds.

Concerning the cyanotype technique, it is an old photographic printing or reproduction technique, I use it to make multiple prints in limited series of some of my drawings: it consists in putting on a sheet of paper a chemical product which is sensitive to light, one puts on the sheet a negative of the photo which one wishes to reproduce (for me a negative of my drawings which I prepare myself), it is necessary to put it then in the sun a few minutes then to pass the sheet under water and there always appears in blue a reproduction of the drawing drawn from the negative. I particularly appreciate the blue obtained with this technique which is close to the dreamlike world.

My inspiration can come from everyday things, I like to look at where appearances fall and see the magic in a realistic environment.
I am for example very inspired by tomato slices, when I cut up tomatoes while preparing food I marvel at what I see inside each slice, I find the tomato particularly inhabited by a wonderful world, hence the origin of my Tomato Heart drawings.

I also made a series of drawings from photos of the surface of the river, these photos were for me like a freeze-frame of a story that the river tells or perhaps this river water is a bearer of memory, that of the countries and times it has crossed? So I drew from these photos to give shape to what I saw appearing.


Nature, women, animals or hybrid creatures, spirituality are the main sources of inspiration for my paintings, all set in a dreamlike universe.
As in tales and fables, my drawings try to give us back the sense of wonder and to open doors to a magical world where everything is possible

written by Muriel Gabilan