Israa Kazem; Balance between Spirituality and Geometric Perfection

Abstract Human and Islamic pattern. Handmade Paper, dyes, rust, gold leaf. Dimensions with frame: 67.5 cm × 83 cm Production Year: 2019.

Israa Kazem uses handmade paper as her primary material, breathing
new life into it. As it carries its own story. Her work merges the magic of
nature with the aesthetics of ancient art civilizations, influenced by
Islamic art and miniature paintings creating a style that is both vital and
contemporary. The process demands precision, resulting in pieces free
flowing lines and texture of the paper lend a unique character to the
artwork, in addition to depth and expression—a return to roots.
These frameworks surface in her approach to papermaking—a process
where chaos (raw, recycled materials) yields order (structured sheets),
mirroring the emergent patterns found in nature.

Flamingo reflection and the disk of sun
Paper Pulp, Gold leaf, Dried Leaves, Stalks of Grain Plants, Ink, Color Dyes.
Dimensions with frame: 132.5 cm × 102.5 cm
Production Year: 2023


Her work transforms discarded fibers from wastes into delicate sheets of
paper, each piece is a tactile archive, inviting the viewer to
contemplation on sustainability and our relationship with the natural
world.

Deer are running on the mountain
Handmade Paper, feather, gold leaf, dyes, ink, acrylic pens.
Dimensions with frame: 85 cm × 50 cm
Production Year: 2024.


She aims to highlight the diversity of living organisms and the different
environments surrounding them, especially highly diverse ecological
communities.

Deer are eating flowers
Handmade Paper, dyes, ink, gold leaf. Dimensions with frame: 40 cm × 40 cm Production Year: 2024


This harmony is evident in her paintings, which may combine deer
surrounded by geometric patterns, or blossoming flowers where
the deer serves as a decorative motif. This fusion creates a visual
language that speaks of the balance between two worlds: the
world of spirituality and geometric perfection, and the world of life
and growth in a timeless artwork.

Handmade Paper, Dyes, ink Dimensions with frame: 50cm × 50 cm Production year: 2020


In her artworks collection, the deer refer as a main symbol, not
merely appearing as an aesthetic form, but carrying various
perspectives and meanings. The artist employs it as a symbol of
optimism and new beginnings.

Handmade Paper, Dyes, ink Dimensions with frame: 50cm × 50 cm Production year: 2020


In its grace and lightness, the deer represent hope and the journey
toward a better future. In Islamic art, the deer have always been
associated with beauty and gentleness, making it the perfect choice
to express her vision. The deer is painted in state of stillness and
motion depicted in a style that combines simplicity of form and
ornamental pattern, giving it a symbolic and contemporary
dimension simultaneously. This demonstrates that art knows no
bounds, and that the dialogue between past and present can
produce creativity that transcends time and place.

Israa Kazem (B. 1987) is a Cairo based visual artist and researcher, holds
Bachelor degree of Art Education, Helwan University.

She earned her master’s degree 2015, PHD 2020, in drawing and painting. Kazem is a member of the syndicate of plastic artists. She participated in many international and local Exhibitions. She found her creative inspiration in her drawings and paintings through nature. Kazem employed many drawing, painting, printing and mixed media techniques to achieve her artistic style.

Kazem uses handmade paper and paper pulp and combines them with
different materials. Her use of natural materials not only adds depth and
texture to her artwork but also focuses on the importance of sustainability in art and life. Her artistic practice reflects her respect for the surrounding environment and express its essence through her own
vision.

Solo Exhibition:
“Green Border”, Mahmoud Mokhtar Cultural Center, Nahdet Misr
Gallery, 2023.

Group Exhibitions:
– Agenda Exhibition, Conference Center, Bibliotheca Alexandrina,
12th, 14th, 15th, 16th sessions for the years 2019. 2021, 2022, 2023.
– Cairo International Art District Exhibition (CIAD), Second Edition, Art D’Égypte, Downtown, 2022.
– General Exhibition entitled “Art…The Memory of the Nation”, the 42nd session 2021, Arts Palace, Cairo Opera House.
– White and Black Salon, 5th session, Gezira art center, 2020.
– First Time Exhibition, 14th session, Conference Hall, Bibliotheca
Alexandrina, 2019.
– Second Exhibition: Artist’s Book, Mahmoud Mokhtar Cultural
Center 2019.
– Dai Festival of Arab Youth, Second Session, 2018.
– Exhibition of the accompanied workshops for Cairo Salon 58,
Artist book workshop, the Fine Arts Lovers Association, 2018.
– South International Salon, Faculty of Fine Arts, Luxor – the 5
session 2017.
– Youth Salon, 20th, 21st, 26th sessions Palace of Arts, Cairo Opera House, for the years 2015, 2010, 2009.

Awards and Grants:
Kazem won the First Prize in Youth Visual Arts competition, 6th Edition, El Horreya Center for Creativity, Alexandria, Cultural Development Fund
Sector, Ministry of Culture.

Sabbatical Grants Artist in the field of Fine Art specialized in Painting,
Supreme Council of Culture, 2019, 2021, 2022, 2023.

Israa Kazem prepared the official representation of this article and has granted permission for this article to be published.

Appliqués by Benin Artist Narcisse Dotou

Narcisse Daphnée Dotou crafts symbolic appliqués representing Vodun gods and African diaspora spirits. Dotou’s images encourage introspection, offering a visual journey into one’s inner self. The viewer is asked to concentrate on the visuals and consider them thoughtfully, just as one would with a tarot card. Only then can the object’s grandeur gain a mystical and meaningful quality.

To make an appliqué like this, you need at least three weeks before doing it. We make the drawings on paper and then we start by cutting things out. Materials include sewing needles scissors cotton fabric of different colors fabric. Everything is done by hand except the border which was done by machine. My teacher was François Codjo Yemadje who is from Abomey, Benin.

Narcisse Daphnée Dotou

Narcisse Daphnée Dotou was born on October 31, 1991 in Benin and has lived in the Mono department for a long time. He is an artist trained in the traditional art of tapestry sewing. The motifs of his refined works cover a wide spectrum. These include the varied symbolism of the ancient kings of Benin, which is the former Danhomey, representations of the traditional gods of Benin voodoo, Haitian voodoo, Cuba, but also modern themes and works made especially at the request of customers. In addition, Narcisse is an excellent connoisseur of the Cotonou art scene. He is happy to advise you and act as an intermediary if you have any wishes or requests.

Interested in Dotou’s appliques you can contact him via Facebook at Narcisse Daphnée Dotou.

The Voodoo-Culture Introduction from Soul of Africa Museum

Exploring Tissues, Works by Rebecca Campeau

Ma petite histoire sans fin !
Passionnée depuis toujours par divers les matériaux et aillant une grande prédilection pour les tissus !


J’ai commencé à travailler au Journal ELLE, Jardin des Modes,100 IDEES,Jours de France, Journal Femme, et autres journaux comme rédactrice de mode, parallèlement j’ai aussi commencé à travailler comme styliste en publicité ,pour de grandes agences de Publicite :Hélène Rubinstein, Danone, Kodak ,Nazareno Gabrielli-Milan/ORO BLEUE-Milan.

De 1970 à 80 avec le photographe Frank Horvat, j’ai réalisé seule le livre-Vraisemblances- 50 costumes, fonds photo teintures, peintures, bijoux et stylisme.
J’ai aussi participé au choix des photos.

J’ai aussi réalisé quelques décorations d’intérieur d’apres mes dessins pour certaines actrices de cinéma.

Puis j’ai commencé à faire des costumes pour le théâtre notamment pour les Colombaioni à l’Olympia,cinema etc…

Suite à la rencontre avec Giancarlo Petrolati, décorateur avec lequel nous avons monte

  • l’Atelier des 3 Coups- pandant 40 ans
    Nous avons travaillé pour l’UNESCO-Paris ainsi que pour divers musées dans le monde ! Japon, Portugal, Paris, Suisse, Belgique, Italie. En 1990 en collaboration avec et pour Claude Lévi-Strauss, j’ai réalisé des sculptures grandeur nature (indiens) en textile (3 tribus du Mato-Grosso-Brésil)
    pour l’exposition-Les Amériques de Claude Lévi-Trauss- au musée de l’homme Paris.

Puis pour Paul Emile-Victor en 1989 au musée de l’Homme Paris j’ai réalisé des Eskimos grandeur nature pour l’exposition -Eskimo-

Parallèlement j’ai toujours eu un travail personnel que j’ai exposé régulièrement dans les galeries, musées & salons .

Musée National de Norvège-exposition Louise Bourgeois-Oslo/Musée des Champs Libres-Rennes/musée Cérès Cérès Franco Montolieu/musée d’Art Brut-Montpellier/musée Villa Montebello.
musée Mona Bismarck-Paris/musée Mendjisky-Paris/Le FIAA-Le Mans/musée Cite du Train-Mulhouse/musée Toine Colot-Belgique/musée du Tunnel du Gothard-Suisse/musse du Plan incliné-Ronquieres-Belgique/musée de la mine-liège/musée de la Mine Bleue-Noyant-la-Gravoiere/musée Guerre et Paix-Ardennes/musée de la forêt-Renwez/musée de la carrière de pierre-Givet-France/musée Cristallerie Saint Louis-Saint-Louis-les Biche/Hôtel de Sully-Paris/Bibliothèque Bilipo-paris/musée Gustave Flaubert et de la Médecine-Rouen/The National Art Center-Tokyo/musée Bohin- Saint-Sulpice-Sur-Risle/musée des Beaux-Arts-Carcassonne/musée des Champs Libres-Rennes/Galerie Kiron-Paris/musée Mini Textile-Italie/Vibrations Textiles-Paris/musée de la photo-Paris/

Mes sculptures sont visibles
en permanence-au Musée d’Art Brut-Montpellier/musée Gustave Flaubert et de la médecine-Rouen/
Musée de l’Homme-Paris /Cite du train-Mulhouse/musée du plan incliné-conquières-Belgique/musée Arthur Masson-Belgique et…

Salons : Art Capital-Comparaisons-Paris/AAF-Paris/Figuration Critique-Paris/Salon d’Automne-Paris/Biennale 109-Paris/Salon des Beaux-Arts-Paris/Salon-XI’AN-Chine
Art Partage-Rives/Hors Normes-Praz-sur-Arly/Chic Art Fair-Paris/Aix-en-oeuvres à Aix-en-Provence organisé par Andréa Ferreol

Galeries: Edgard le Marchand-Paris/Beaubourg-Paris/Art-Top-Lille/Not a Gallery-Paris/Galerie75-Rouen/l’Ecu de France-Viroflay/Chez Colette-Paris/Cécile Dufay-Paris/ST’ART-Paris/Espace Aliès Guinard-Chaillon/ l’oeil de la Femme à Barbe-Paris/Artcompulssion-Montpellier/Artistes Actuels-Paris/Collection Gallery-Chypre/

PRIX Jean Anouilh 2019/
PRIX Taylor 2021/PRIX Attention 2022 / PRIX Bohin 2023.
rebecca-campeau@hotmail.fr
http://www.rebecca-campeau.com